Big Ideas
Big Ideas
- Visual texts include gestural and spatial components (as in dance) as well as images (some examples are posters, photographs, paintings, carvings, poles, textiles, regalia, and masks).
- Digital texts include electronic forms of oral, written, and visual expression.
- Multimodal texts include any combination of oral, written, visual, and/or digital elements and can be delivered via different media or technologies (some examples are dramatic presentations, web pages, music videos, online presentations, graphic novels, and close-captioned films).
Content
Content
- connection to the land
- the nature and place of spirituality as an aspect of wisdom
- the relationships between individual and community
- the importance of oral tradition
- the experience of colonization and decolonization
- loss of identity and affirmation of identity
- tradition
- healing
- role of family
- importance of Elders
Oral traditions are the means by which cultural transmission occurs over generations, other than through written records. Among First Peoples, oral traditions may consist of told stories, songs and/or other types of distilled wisdom or information, often complemented by dance or various forms of visual representation such as carvings or masks. In addition to expressing spiritual and emotional truth (e.g., via symbol and metaphor), these traditions provide a record of literal truth (e.g., regarding events and/or situations). They were integrated into every facet of life and were the basis of First Peoples education systems. They continue to endure in contemporary contexts.
- purposes of First Peoples oral texts
listen to and comprehend a wide range of authentic First Peoples oral texts reflecting a variety of purposes, messages, and contexts, including texts relating to life lessons, individual and community responsibilities, rites of passage - family histories - creation stories - formal speeches
- a variety of First Peoples oral texts
- Protocols are rules governing behaviour or interactions.
- Protocols can be general and apply to many First Peoples cultures, or specific to individual First Nations.
- protocols related to the ownership and use of First Peoples oral textsStories often have protocols for when and where they can be shared, who owns them, and who can share them.
- acknowledgement of territory
- students understand the protocols involved in the acknowledgment of traditional First Nations territory(ies)
- students understand the purpose of acknowledgement of First Nations traditional territory(ies)
- situating oneself in relation to others and place
- relates to the concept that everything and everyone is connected
- students understand the reason why it is common First Nations practice to introduce ones’ self by sharing family and place connections
- narrative structures, including those found in First Peoples oral and other textsfor example, circular, iterative, cyclical
- form, functionthe intended purpose of a text, and genre of oral and other texts
- reading strategiesThere are many strategies that readers use when making sense of text. Students consider what strategies they need to use to “unpack” text. They employ strategies with increasing independence depending on the purpose, text, and context. Strategies include but may not be limited to predicting, inferring, questioning, paraphrasing, using context clues, using text features, visualizing, making connections, summarizing, identifying big ideas, synthesizing, and reflecting.
- metacognitive strategies
- thinking about our own thinking
- reflecting on our processes and determining strengths and challenges
- Students employ metacognitive strategies to gain increasing independence in learning.
- writing processesThere are various writing processes, depending on context. These may include determining audience and purpose, generating or gathering ideas, free-writing, making notes, drafting, revising and/or editing. Writers often have very personalized processes when writing. Writing is an iterative process.
- oral language strategiesspeaking with expression, connecting with listeners, asking questions to clarify, listening for specifics, summarizing, paraphrasing
- presentation and performance techniques
- elements of stylestylistic choices that make a specific writer distinguishable from others, including diction, vocabulary, sentence structure, and tone
- usageavoiding common usage errors (e.g., double negatives, mixed metaphors, malapropisms, and word misuse)and conventionscommon practices of standard punctuation in capitalization, quoting, and spelling of Canadian and First Peoples words
- citations and acknowledgementsformal acknowledgements of another person’s work, idea, or intellectual property
- literary elements and devices
- texts use various literary devices, including figurative language, according to purpose and audience
- rhetorical devices
- examples include figurative language, parallelism, repetition, irony, humour, exaggeration, emotional language, logic, direct address, rhetorical questions, and allusion
Curricular Competency
Curricular Competency
Comprehend and connect (reading, listening, viewing)
Recognize and appreciate how different forms, structures, and features of oral and other texts reflect diverse purposes, audiences, and messages
Create and communicate (writing, speaking, representing)
- using active listening skills and receptive body language (e.g., paraphrasing and building on others’ ideas)
- disagreeing respectfully
- extending thinking (e.g., shifting, changing) to broader contexts (e.g., social media, digital environments)
- collaborating in large and small groups
- Strategies associated with speaking skills may include the conscious use of emotion, pauses, inflection, silence, and emphasis according to context.
- Strategies associated with listening skills may include receptive body language, eye contact, paraphrasing building on others’ ideas, asking clarifying questions, and disagreeing respectfully.
There are various writing and creative processes depending on context, and these may include determining audience and purpose, generating or gathering ideas, free-writing, making notes, drafting, revising and/or editing. Creative processes may also include conception, rehearsing, revising, and delivering/performing.
Students expand their understanding of the range of real-world audiences. These can include children, peers, and community members, as well as technical, academic, and business audiences.
- creatively and critically manipulating language for a desired effect
- using techniques such as adjusting diction and form according to audience needs and preferences, using verbs effectively, using repetition and substitution for effect, maintaining parallelism, adding modifiers, and varying sentence types
- for oral texts, consciously using emotion, pauses, inflection, silence, and emphasis
- rehearsing with the help of a constructively critical listener, a mirror, and/or audiovisual recording